Thursday, September 17, 2015

Melvin Van Peebles at the Black Riot Cycle

Five years ago, Melvin Van Peebles created a musical version of his iconic, independent, 1971 film Sweet Sweetback's Baadasssss Song. He called it an opera.

He wrote, composed, and directed it, and he selected Greg Tate and the Burnt Sugar Arkestra to perform the music. Called Sweet Sweetback's Baadasssss Song – A Hood Opera, it premiered at the Sons d'Hiver Festival at the Maison des Arts de Creteil in the Paris suburb of Creteil in 2010.

Two years later, Sweet Sweetback returned to the Sons d'Hiver Festival in Creteil, this time in documentary form. Called L'opéra rêvé de Melvin Van Peebles, producer Samuel Thiebaut’s film features a behind-the-scenes look at the staging of the opera.

On September 10, 2015, the documentary was screened once again – this time at the MK2 Quai de Seine cinema in Paris. It was showcased as part of the Black Riot cycle of the Jazz à La Villette festival – the screening of several “essential” full-length films such as Black Panthers (1968) by Agnès Varda and Free Angela (2013) by Shola Lynch. The festival’s organizers selected this theme to “echo” the demonstrations that have erupted in the U.S. in reaction to police violence.

MK2 Quai de Seine cinema
© Discover Paris!

Black Riot Cycle at Jazz à la Villette 2015
© Discover Paris!

To open the evening, Van Peebles took the stage to be interviewed and answer questions from the audience.

Melvin Van Peebles being interviewed
© Discover Paris!

Among the topics discussed was the inextricable link between his film career and his experiences in France. During the 1960s, he pub­lished four nov­els and a collection of short stories in French. La Permission, a novel published in 1967, became the basis of his first fea­ture, a black and white French film given the same name. Called The Story of A Three Day Pass in English, this film won the Critic’s Choice Award at the 1967 San Fran­cisco Film Fes­ti­val. In 2001, Van Peebles was named a Chevalier of the French Legion of Honor.

Click on the image below to view a teaser for the documentary by Samuel Thiebaut.

Cool, no problem.
Screenshot from L'opéra rêvé de Melvin Van Peebles

After the screening, Van Peebles graciously posed with members of the audience.

Monique and Melvin Van Peebles
© Discover Paris!

He was definitely MVP for the evening...

Melvin Van Peebles with MVP on jacket
© Discover Paris!

Most Valuable Peebles!


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Thursday, September 10, 2015

Black Images in European Art: The Petit Palais

For years, I've wanted to cast my eyes on the famous bust by Jean-Baptiste Carpeaux, Pourquoi Naître Esclave, at the Petit Palais. I can't count the number of times I've walked by the museum and never set foot inside.

Last week, Tom and I finally paid a visit to the "Little Palace." The building is incredibly well endowed with natural light. On either side of the large glass panel that looks over the semi-circular garden opposite the entrance is a marble bust of an African man.



The artist's name is not indicated on the information cards accompanying these works. The only date mentioned is "19th-century" - with a question mark.

We went straight downstairs and to the rear of the museum to Room 14, which is devoted to sculptures by Carpeaux. And there she was...

Pourquoi naître esclave?
Jean-Baptiste Carpeaux
1868 Patinated Plaster
© Discover Paris!

I stood in front of the sculpture and gazed into the hollow pupils of its patinated plaster eyes.

Pourquoi naître esclave? - detail
Jean-Baptiste Carpeaux
1868 Patinated Plaster
© Discover Paris!

This bust is one of eight that Carpeaux created in preparation for the incarnation of the African persona found in the sculpture Les Quatre Parties du Monde. It and the bust at the Musée des beaux-arts de Reims are the only two made of plaster. Other busts are made from terra cotta, bronze, or marble.

After satisfying this long-held desire, Tom and I took a (relatively) quick stroll through the rest of the museum to see the permanent collection and to decide where we'd concentrate our time upon subsequent visits.

As expected, we found a few paintings that depict blacks. The most impressive one was an oversized painting by Jean-Joseph Benjamin-Constant called Le Jour des funérailles, scène du Maroc.

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Le Jour des funérailles, scène du Maroc (La Mort de l'émir)
Jean-Joseph Benjamin-Constant
1889 Oil on canvas
© Discover Paris!

It is located on the ground floor in Room 3, which is part of a long gallery that houses 19th-century paintings.

19th-century paintings
© Discover Paris!

I found the detail and the coloring in this work to be magnificent!

Le Jour des funérailles, scène du Maroc (La Mort de l'émir) - detail
Jean-Joseph Benjamin-Constant
1889 Oil on canvas
© Discover Paris!

The Petit Palais's Web site gives a detailed description of this painting as well as information about its author (in French).

The museum is small enough to easily see the entire collection in a single day. Because it belongs to the city of Paris, entry to the permanent collections is free.

Petit Palais
Avenue Winston Churchill
75008 Paris
Metro: Champs-Elysées Clémenceau (Lines 1 and 13)
Open Tuesday through Sunday from 10 AM to 6 PM

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Thursday, September 3, 2015

Black Paris Documentary Wins Big at Film Festival in Berlin


A few days ago, a big envelope showed up in the mail box of long-time film directors Joanne and David Burke. When Joanne opened it, she found that she has won a Best Film/Video award from the 30th annual Black International Cinema festival in Berlin as director of her documentary series When African Americans Came to Paris, Part I & II (The Stars). The award category for which she won is "Video on Matters Relating to the Black Experience/Marginalized People."

Joanne Burke
Image courtesy of Joanne and David Burke


Award certificate - Black International Cinema Film Awards
Image courtesy of Joanne and David Burke

Joanne is a film and video director-producer-editor with several years of high-level experience. From the late 1960s to 1986, she was one of the top documentary film editor​s in New York, editing more than twenty long-form documentaries for CBS, NBC, PBS, and HBO on social, political, and cultural themes.

Since she moved to Paris in 1986, Joanne has produced, directed, and edited a number of additional documentaries. Her award-winning film on jazz great Mary Lou Williams - Mary Lou Williams: Music on My Mind (1990) - has been broadcast on PBS, CBC in Canada, Arte, and a number of other channels in France. All these films have been independently produced in partnership with her documentary filmmaker and former 60 MINUTES writer/producer husband, David Burke.

David Burke at American Library of Paris presentation of
When African Americans Came to Paris - Part I
© Discover Paris!

When African Americans Came to Paris focuses primarily on the period between 1900 and the 1930s, a segment in the history of African Americans in Paris that is much less well known compared to that of the post-World War II era.

Part I is comprised of six videos:
  • W. E. B. DuBois and the 1900 Paris Exposition
  • Henry Ossawa Tanner: An Artist in Exile
  • The Harlem Hellfighters
  • James Reese Europe: Warrior and Musician
  • Jazz Comes to Paris
  • Three Women Artists in Paris

When African Americans Came to Paris - Part I
Image courtesy of Joanne and David Burke

Part II consists of three videos:
  • Josephine Baker: A Most Extraordinary Life
  • Sidney Bechet: The Wizard of Jazz
  • Black Writers across the Atlantic

When African Americans Came to Paris - Part II
Image courtesy of Joanne and David Burke

I have had the pleasure of viewing both parts of When African Americans Came to Paris. The commentary by pre-eminent scholars combined with the (often rare) video clips and photos bring historical African-American Paris alive like no other film or video that I've seen to date!

Each video can stand alone. My favorite is "Three Women Artists in Paris," found in Part I, which provides excellent and well-needed exposure for the African-American women whose stories are so often overlooked in conversations about "black Paris."

When African Americans Came to Paris has been released by Blue Lion Films in partnership with Julia Browne of Walking the Spirit Tours. To view the trailers and to purchase, click HERE.

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Thursday, August 27, 2015

Haïtian Art and Artists at Dorothy’s Gallery

Dorothy’s Gallery, American Center for the Arts, is partnering with the Haitian Embassy, the Haïti Jazz Foundation, Haïti Futur, Haïti Action Artistes and other organizations to celebrate 500 years of history and creative spirit in Haïti.

Dorothy Polley, gallery owner and founder of the American Center for the Arts, has opened her phenomenal exhibition space to these organizations in support of the reconstruction and continued development of Haïti in the wake of the 2010 earthquake.

Entering the gallery, you are greeted by an enormous collaborative painting by six artists from Jacmel in southeast Haïti.

Collaborative Painting by Artists from Jacmel (Southeast Haïti)
Acrylic on polycanvas
© Discover Paris!

All of the artists belong to Haïti Action Artistes, an association that was founded in 2011 with the intent to provide sustainable support for Haïtian artists and sculptors after the quake. It appealed to 650 artists in France and around the world to donate works for auction.

The proceeds financed a collaborative project called Tout Pou Youn, which furnishes imported art supplies to Haïtian artists at affordable prices. The association partnered with the Haïtian enterprise Matpar to create a line of acrylic paints that are locally available.

Also displayed in the gallery’s front room are mixed media works and drawings by Elodie Barthélémy, Eddy Saint-Martin, and Gérald Bloncourt.

Portrait en pieds 2012
Elodie Barthélémy
© Discover Paris!

Encombrement
Eddy Saint-Martin
2011 Mixed media on American box
© Discover Paris!

Haïti – 1804
Gérald Bloncourt
May 2015 Drawing on paper
© Discover Paris!

In the second room of the gallery, small canvases, works in wrought iron, artisan crafts, and books about Haïti are displayed.

Small canvases by various artists
© Discover Paris!

Mask in relief
Jacques Eugène
© Discover Paris!

Artisan crafts, rum, and CDs for sale
© Discover Paris!

Books by Mimi Barthélémy
© Discover Paris!


And in the spacious room at the rear of the gallery, mixed media works on textiles, oil paintings, and works in inks and pastels are on display.

L’Offrande
Gérald Bloncourt
1999 Oil on canvas
© Discover Paris!

Untitled
Eddy Saint-Martin
2014 Mixed media on cotton, hand painted
© Discover Paris!

Bloncourt works in ink, pastel, and oil
© Discover Paris!

Videos about various aspects of Häitian culture and contemporary life are available for viewing on a flat screen.

Video on education by Haïti Futur
© Discover Paris!

Haïtian Schoolgirls on video
© Discover Paris!

Eighty percent (80%) of all sales of art and crafts are donated to Haïti Action Artistes and Haïti Futur.

This unique and heart-centered exhibition runs through September 27, 2015.

Dorothy Polley
© Discover Paris!


Dorothy’s Gallery
27, rue Keller Paris
75011 Paris
Telephone: 01 43 57 08 51
E-mail:
Métro: Bastille (Lines 1, 5, 8), Voltaire (Line 9)
Hours: Wednesday to Saturday from 1 PM to 7 PM
Tuesday and Sunday from 4 PM to 7 PM
And also by appointment: contact the gallery for information and private visits.

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