Showing posts with label Antillean cuisine. Show all posts
Showing posts with label Antillean cuisine. Show all posts

Thursday, March 21, 2013

Paris' Culinary Black Women


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In celebration of Women's History Month and in conjunction with the second broadcast of Southern Passion Lounge in Paris - the Internet radio show that brings you the best of food, wine, and music in Paris - today's blog post features several women of the African Diaspora who have left or are currently leaving their mark on the world of professional gastronomy in the French capital.

Agnes Moody


Graphic for 1900 Universal Exposition in Paris

At the age of 60, Agnes Moody ran the "Corn Kitchen," a principal feature at the U.S. Agriculture Department's building on the Champs de Mars during the 1900 Universal Exposition. The purpose of the exhibit was to promote the use of American corn and cornmeal for cooking and subsequently boost U.S. exports of the grain. Numerous papers across the U.S. touted Mrs. Moody's cooking skills and her popularity among visitors to the expo—as an example, the Virginian Pilot described her as the "presiding genius" at the kitchen and the Minneapolis Journal reported that she was "entertained and fed by royalty." Though she was cast in the role of an "Aunty," similar to Aunt Jemima, she was an accomplished woman who one of the charter members of the National Association of Colored Women, John Brown's Women's Relief Corps, and other organizations. She was awarded a gold medal by the U.S. Agriculture Department for her service.


Rougui Dia


Cover of Rougui Dia Biography

Rougui Dia is the 21st-century "Black Pearl" of Paris. Born of Senegalese parents in Paris' 12th arrondissement, she began preparing for a culinary career at age 15. Until January 2013, she was the head chef at Le 144, a restaurant operated by the venerated caviar house Petrossian. The dishes served during her tenure at Le 144 were not Russian or Armenian as you might deduce from the name of the caviar house, but rather were a union of the finest French cuisine with select elements from the Senegalese kitchen. Stimulating the palates of the restaurant's clientele with new taste sensations from Senegal was one of Dia’s primary goals. Dia will take over the kitchen of Le Vraymonde, the restaurant of the new Buddha Bar hotel that is scheduled to open during the first trimester of 2013 at 4, rue d’Anjou in the 8th arrondissement.


Babette de Rozières


Babette de Rozières
©Discover Paris!

Hailing from Guadeloupe, Babette de Rozières has enjoyed long-standing success as a restaurant owner, cookbook author, and culinary personality on French television. In the beginning, she worked in various posts in public television and radio and cooked part time at some of the most prestigious hotels in Paris. She purchased her first restaurant in 1978 and has never looked back. She has co-hosted various television shows since 1988 and won an international award for her first cookbook—a four-volume set on Antillean cooking—in 2004. Her latest endeavors include opening a new restaurant called La Case de Babette in les Yvelines (an administrative department in the greater Paris area) and writing her autobiography.


Melba Allen


Melba Allen
Image from The Wine Profilers Web site

Melba Allen left the US for Europe after her studies at the University of Houston and fell in love with the wine and food culture in France. Obtaining a diploma from the prestigious Université-du-vin, Suze la Rousse in the Rhone Valley and certificates from the Wine & Spirits Education Trust Program of London, she began buying and selling wines internationally, judging wine tasting competitions, and writing on-line articles for magazines such as Elle and Vin & Cuisine. She currently trains wine professionals for restaurants and wine shops, lectures on Wine Science and Business and Wine Tourism at the Institut Européen de Management International (IEMI) in Paris, and is the communications coordinator for The Wine Profilers—a program to help wine lovers better understand the choices they make when selecting a wine.


Sharon Leslie Morgan


Sharon Leslie Morgan
Image courtesy of Sharon Leslie Morgan

Chicago-born Sharon Leslie Morgan made her cooking debut in Paris when she and former Haynes' barman Bennie Luke teamed up in 1999 to create a weekly event called "Soul on Sunday" at Haynes' restaurant (now closed). The concept began as a brunch, but evolved into a late-afternoon-and-evening diner-spectacle (dinner show). There was prearranged entertainment, but weekly open-mike sessions added variety to the program. When "Soul on Sunday" came to an end, Morgan and Luke began looking for another venue to provide down-home food and lively entertainment to African Americans in Paris. They opened Bojangles Restaurant and Bar at 47, rue Rodier in the 9th arrondissement on January 3, 2001. On opening night there was not a vacant seat to be found. Live jazz piano, trumpet, and singing heightened the enjoyment of the copious portions of spicy pumpkin soup, grilled T-bone steak, Caribbean-style fried fish, and side dishes that were served. Bojangles was a center for great food and fun until it closed in 2003. Memories live on through the open Facebook group called Bojangles Paris Online.


Alberta Wright


Alberta Wright
Image from Jezebel's Web site

Charleston, South Carolina-native Alberta Wright is one of a few African Americans who dared to open a restaurant in Paris. She operated a branch of her New York eatery Jezebel (now closed) in the Saint-Germain-des-Prés area from 1990-1994. Also called Jezebel's, it was one of the chic places to dine in Paris during its heyday. Celebrities such as Madonna, Jean-Paul Gaultier, Yves St.-Laurent, and Valentino gave parties there. Wright (whose nickname is Jezebel) opened the restaurant on a whim, and soon discovered how difficult the Paris market could be. Read a full account of her experience here.


Monique Y. Wells


Monique Y. Wells
Photo by Kim Powell

As the author of Food for the Soul, a cookbook sponsored for publication in French by master chef Alain Ducasse, I have continually sought to include gourmet activities in the Discover Paris! repertoire of walks and services. In November 2003, we organized the first Afro-centric culinary excursion in Paris, focusing on foods and beverages that comprise the traditional French meal and featuring African-American culinary professionals who lived and worked in France at the time. Discover Paris! co-hosted Paris - A Culinary Delight with EthnoTravel.com, a company dedicated to promoting multicultural travel. I led the excursion to explore cheese, bread, and coffee; Melba Allen (mentioned above) shared her expertise about wine and provided a tasting at a local vineyard; and Chef Klancy Miller led the group on a pastry and chocolate walk. African-American chef Percy Taylor welcomed the group for a special dinner at his restaurant Percy's Place (now closed), complete with musical entertainment. A few months later, Allen, Miller, and I were featured on Al Roker's Food Network television show Recipe for Success.

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Thursday, August 11, 2011

Art and Food Pairing™: Fondation Cartier and L'Escale Caraïbe

Today's Art and Food Pairing™ couples a description of an exhibit that I was initially reluctant to go see with a review of an off-the-beaten-path Antillean restaurant.


The exhibit, called Les Trésors du Vaudou (Voodoo Treasures), is being held at the Fondation Cartier in the 14th arrondissement. I was ambivalent about seeing it because the works are displayed without reference to their origin or explanation of their function. I queried Entrée to Black Paris Facebook fans about their opinion on this, and those responding also indicated their discomfort and disagreement with the decision taken by the foundation to provide no information about the sculptures (though the Cartier Foundation acted in accordance with the major collector's wishes).

Fondation Cartier
© Discover Paris!

I finally decided to go to the exposition to see if my notion that I would not appreciate the works without information about their provenance, etc. would hold true. Upon arrival, I was pleasantly surprised to find that the foundation decided to provide a handout that described the location of origin for each item presented, as well as the materials from which it was made. In my opinion, this compromise was made because too many visitors shared my opinion and those of ETBP Facebook fans regarding the complete absence of information about the individual sculptures.

As for the exposition itself, it is sublime! On the ground floor, eight large sculptures are exhibited in front of constructions meant to represent homes, and eight additional, smaller sculptures are shown on two tables. Light is abundant here and the works can be seen clearly (though only one can be seen from all angles).

The lower floor houses the lion's share of the works, and here, the lights are quite dim. In the main room, each sculpture is displayed in a transparent case on top of a pedestal so that visitors have a 360° view of it. This is fortunate, because one needs to see the sculptures from every angle to appreciate their complexity and to understand what they might represent. Items are often strapped to the figure's back - examples include a baby on the back of a female figure, and what appear to be spears on the back of a male figure that may represent a hunter.

A second room houses a spectacular sculpture montage called Chariot de la mort. It sits on the floor in the center of the room, and is the best illuminated of all the pieces on the lower floor. Crocodile skulls represent the animal power that draws the chariot - each is sheltered by a tiny parasol. Three display cases house additional works in this room.

The sculptures are called bocio, which loosely translates into "cadaver - cio - endowed with powers - bo." For believers in voodoo, they serve as intermediaries between the physical and the spiritual worlds. All of them come from Benin. The function of the individual objects is not given in the handout - the foundation provides a "disclaimer" at the entrance to the lower floor and in the handout indicating that the sculptures have multiple uses and that only those who constructed them know precisely what each sculpture contains (powders and potions in vials and gourds, for example) and what it was destined for. However, the handout does contain a brief description of the symbolism attached to various objects used in creating bocio.

To view the foundation's photos of several of these sculptures, click here.

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After seeing this exposition, you may well wish to go somewhere nearby and discuss the bocio over a meal. I recommend that you do so at L'Escale Caraïbe, a Guadeloupan restaurant that is approximately a 10-minute walk from the foundation. The restaurant is small, so it is better to reserve your table in advance.

L'Escale Caraïbe
© Discover Paris!

Tom and I dined at L'Escale Caraïbe last Friday. We ordered a piña colada and a ti-punch as apéritifs and sipped them as we perused the menu. This consists mostly of traditional dishes such as boudin, crabe farci (stuffed crab), colombo, and boucané. Tom ordered a duo of accras (cod fritters - another traditional dish) and crabe farci stuffed crab as an first course and I ordered boudin antillais. We were both happy with our selections; I was particularly pleased with the smooth, highly perfumed filling of my boudin. The piment (pepper sauce) that was served alongside in a small crock was not overly spicy, which was fine with Tom and me.

Duo of Accras and Crabe Farci
© Discover Paris!

Regarding the main dishes, I was pleased to see Colombo de cabri (kid goat) listed as a main dish, because I enjoy goat and one never finds it on the menu at French restaurants. (Tom selected this and quite enjoyed it.) But I saw something that I had never seen on a Créole menu before - Croustille de poulet au citron - and decided to try it instead of the cabri.

Croustille de poulet au citron
© Discover Paris!

What a delicious meal it was! The chicken (dark meat) was cut into bite-sized morsels and served in a silky, medium-brown sauce that was delectably flavored with lemon. It was tender, juicy, and ever so tasty! The mound of rice served alongside fell into individual grains at the slightest touch of my fork, and the portion was perfectly sized. (I find myself overwhelmed by the volume of rice that most Afro-caribbean restaurants in Paris serve.) When I commented to Jean-Claude, the server (who also happened to be the owner of the restaurant), that I found this dish to be uncommon, he said proudly that it was conceived and created in his kitchen!

Jean-Claude and Monique
© Discover Paris!

Tom and I were surprised that the restaurant offers no Caribbean beers on the beverage menu. Tom ordered a French beer to accompany his meal and I ordered another ti-punch. We requested a carafe of tap water for the table, and this combination was sufficient for our needs.

I forewent dessert, while Tom had the Coupe Caraïbe - a scoop of vanilla and a scoop of nougat ice cream in a passion fruit sauce. Because there was no rum raisin ice cream in the house, Jean-Claude offered Tom a serving of rum to pour over his dessert!

Coupe Caraïbe
© Discover Paris!

Service was friendly and reasonably paced, particularly given that a group of 25 persons came in for a party that evening. As an added bonus, the entire meal cost less than 70 euros. We'll definitely return here after the summer holiday is over!

Fondation Cartier
261, boulevard Raspail
75014 Paris
Telephone: 01 42 18 56 50
Internet: http://fondation.cartier.com
Metro: Denfert-Rochereau (Lines 4 and 6)
RER: Denfert-Rochereau (Line B)
Les Trésors du Vaudou runs until September 25, 2011.

L'Escale Caraïbe
46, rue Daguerre
75014 Paris
Telephone: 01.43.20.45.75
Internet: www.escalecaraibe.com
Metro: Denfert-Rochereau (Lines 4 and 6)
RER: Denfert-Rochereau (Line B)
Opens at 7:30 PM Tuesday through Saturday evenings.
(Note that the restaurant is closed for summer holiday and will re-open on the first weekend of September.)

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