Thursday, March 22, 2012

Paris Noire: A Book Review

If you are thinking about moving to Paris or wondering what it is like to live there, then you'll want to read the stories of sixteen long-time African-American and Afro-Caribbean residents in the recently released e-publication Black Paris Profiles. Click here to learn more!

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Paris Noire
is a novel written by Francine Thomas Howard. It tells the story of a strong and proud Martinican woman, Marie-Thérèse Brillard, who has raised a son and a daughter, Christophe and Colette, alone in Paris. We enter their family saga in 1944, just prior to the liberation of Paris, when Christophe meets a woman who will change his life forever. Unbeknownst to him, his beloved Genviève is the wife of a member of the Resistance - a man who wills himself to survive so that he can return to her side. Colette has a love interest as well, a French man who she plans to wed.

Marie-Thérèse also meets someone who will change her life - an American lieutenant who makes her feel as no man, not even her deceased French husband, has ever made her feel before. Add to the mix a wilting flower of a Senegalese girl who Marie-Thérèse would have Christophe marry, an African-American songstress who cozied up to a German colonel to extract information important to the Resistance, and her French butler/bodyguard who is also a saxophone player, and the stage is set for what is a unique and engaging tale.

Though numerous scenes take place around the city, we are never made to feel that Paris herself is a character in the book. The deprivations of war are emphasized much more than is the beauty and mystique of Paris. Much of the story unfolds in Montmartre, where the Brillards and Glovia, the songstress, live.

Issues of race percolate through the novel, but do not dominate. The book intermingles several tales of love - the love of a mother for her children, a cuckolded husband for his wife, star-crossed lovers for each other - and illustrates the brutality that can emerge when love is betrayed. The story becomes increasingly suspenseful as it builds to a climax that is both refreshingly unexpected and tragic.


Francine Thomas Howard
Photo from Meet Francine Thomas Howard blog

Author Francine Thomas Howard is a resident of the San Francisco bay area. She took early retirement from her career as a pediatric occupational therapist to devote her life to writing. Her next project is a five-book series spanning three-hundred years and two continents. The protagonists are three young women of noble birth from Timbuktu who are kidnapped in 1706 and sold into slavery in New Orleans, and their descendants.

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Entrée to Black Paris!™ is a Discover Paris! blog.

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Thursday, March 15, 2012

Remembering Loïs Mailou Jones

Loïs Mailou Jones (1905-1998) was an African-American artist from a well-to-do Boston family. She is said to be the most notable African American to study art in Paris in the 1930s, and is perhaps the most illustrious African-American woman ever to have studied here.

Loïs Mailou Jones
Photo from National Archives and Records Administration

Jones worked for Carter G. Woodson for several years, providing illustrations for his books and periodicals. In 1937, while teaching at Howard University, she received a General Education Board Fellowship to study at Académie Julian in Paris. She took advantage of her first sabbatical year at Howard to do so. Woodson went to the pier to see Jones off when she took her first voyage to France aboard the S.S. Normandie on September 1, 1937. When she set sail, she already had an assignment to complete – she was to create illustrations for Woodson’s book African Heroes and Heroines.

In accepting the General Education Board Fellowship, Jones was able to fulfill a long-term desire to go to Paris. Years earlier, her mentor, African-American sculptor Meta Warwick Fuller (1896-1968), advised Jones that she would need to go abroad to launch a successful career. Fuller was living proof of this as she had studied in Paris herself, attending the Académie des Beaux Arts (Paris’ classical art school) in 1899. In 1901, she was introduced to Auguste Rodin, who took her on as a student. With his sponsorship, Fuller made significant progress in her career. When she returned to the United States in the fall of 1902, she had seen 22 of her sculptures exhibited in Samuel Bing’s Galerie de l’Art Nouveau in Paris. Rodin insured that an enlargement of one of these pieces was accepted for display at the Sociéte National des Beaux Arts Salon in 1903.

Thus, Jones emulated Fuller by studying in the French capital. She had a lush studio apartment on rue Campagne Première during her one-year stay. There were three levels, a terrace and a roof garden. Floor-to-ceiling windows on one wall allowed light in - perfect conditions for an artist!

The directors of the Académie Julien appointed one of Jones’ fellow students to help her with her French, and her professors showed interest in her talent. She worked to reproduce the Impressionist style of one of her favorite teachers there, and produced many landscape paintings of Paris. Among these were several Paris street scenes, including boulevard St. Michel, the Moulin Rouge, and the Luxembourg Garden. But she also painted in the Cubist style, depicting black subjects in two works entitled Les Fetiches and Jeanne, Martiniquaise. She saw many of her still lifes and street scenes accepted at art salons and galleries in 1938.

Les Fetiches
Loïs Mailou Jones
1938 Oil on linen
National Museum of American Art, Smithsonian Institution

Like Fuller, Jones also studied at the Académie des Beaux Arts and the Académie Colarossi during her sabbatical year.

Twenty-four years later, Jones returned to Paris as leader of Howard University’s first study abroad program in France; this included a three-week course at the Académie de la Grande Chaumière, the famous art institute in Montparnasse. She taught at Howard until 1977, when she retired.

Thursday, March 8, 2012

Black Paris Profiles™:Velma Bury – Part 2

Last week, you learned about Velma's arrival in the south of France and how she and her late husband Pol established their home in Paris. This week, I present Velma's activities as professor and art enthusiast, and talk of her appreciations of living in Paris.

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Velma at home
© Discover Paris!

Among her many activities as an art enthusiast, Velma taught a course at the prestigious Ecole des Beaux Arts for ten years. Because she knew that students would need to communicate in English for the year abroad that they were required to complete for graduation, she created a formal training course on English vocabulary in relation to fine arts and presented it to the school’s director. Her course began somewhat less than auspiciously due to some anti-American sentiment among the faculty, but it rapidly grew in popularity and became one of the most sought-after classes at the institute.

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Black Paris Profiles is now available on Kindle.  Only excerpts are available on this blog.
To get your copy of Black Paris Profiles, click HERE.

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Entrée to Black Paris!™ is a Discover Paris! blog.

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Thursday, March 1, 2012

Black Paris Profiles™:Velma Bury – Part 1

Velma Bury, the grande dame of African-American Paris, has lived in the City of Light for over 40 years. A politically-active art aficionado and retired professor, she now runs Les Boules et Les Cubes, the company that handles the estate of her late husband, Pol Bury. Velma has personally witnessed the metamorphosis of the Paris art world, the city’s African-American population, and her beloved Montparnasse. She serves as advisor to Les Amis de Beauford Delaney, the French non-profit association that placed a tombstone on artist Beauford Delaney’s previously unmarked grave in 2010. As president of Les Amis, it is my great pleasure to bring you Velma’s story!

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Velma at her Montparnasse home
© Discover Paris!

Velma left her home in New York and her activities in the civil rights movement to permanently relocate to France in 1968 with her soon-to-be husband, Belgian sculptor Pol Bury. She and Pol booked passage on an Italian ocean liner and sailed to Cannes. Velma recalls that the ship was quite sumptuous and she has vivid memories of the four-day journey.

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Black Paris Profiles is now available on Kindle.  Only excerpts are available on this blog.
To get your copy of Black Paris Profiles, click HERE.

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Entrée to Black Paris!™ is a Discover Paris! blog.

If you liked this article, share it with your friends and colleagues by clicking on one or more of the social media buttons below!